GRAPHIC DESIGN & ART DIRECTION, (office)0507.1322.4333,
(mobile)+82.10.4192.4333, instagram

Graphic design studio based in Seoul. We are working with clients to serve art direction, brand identity design, poster design, package design, album cover design, typeface design, exhibition design, editorial design, motion graphic design, etc. through new attempts based on graphic design.

4F, 15, Sajik-ro 8-gil, Jongno-gu, Seoul, Republic of Korea (03169)

서울에서 활동하는 그래픽 디자인 스튜디오입니다. 그래픽 디자인을 기반으로 한 새로운 시도를 통해 아트 디렉션, 브랜드 아이덴티티 디자인, 포스터 디자인, 패키지 디자인, 앨범 표지 디자인, 서체 디자인, 전시 디자인, 편집 디자인, 모션 그래픽 디자인 등을 서비스하며 고객과 협력하고 있습니다.

서울특별시종로구 사직로 8길 15 4층 (03169)

“Around Seoul Independent Graphic Design from South Korea” (CCA Hubbell Street Galleries, San Francisco, USA) ━ 2020 “LATENCY” (Space413), “Future Design Workshop 2019” (RYSE Hotel), Typojanchi 2019: 6th International Typography Biennale (Culture Station Seoul 284), “Big-River Poster Festival 2019” (Ilmin Museum of Art), “100Films 100Posters” (2019 Jeonju Intl. Film Festival) ━ 2019 “Open Recent Graphic Design 2018” (Gonggansail 41, wrm), “Big-River Poster Festival 2018” (B39), “Weltformat Graphic Design Festival, WK2 Poster Show’ (Occu­py The City), “100Films 100Posters” (2018 Jeonju Intl. Film Festival), “tE13:Photography & Typography” (Doosung in the Paper Gallery) ━ 2018 Project 88 (Games of the XXIVth Olympiad Seoul 1988 New Standards Manual: Graphic Identity project) ━ 2017

《어라운드 서울》(CCA 허밸 스트리트 갤러리, 미국 샌프란시스코) ━ 2020 《레이턴시》(공간413), 《퓨쳐디자인워크샵 2019》(라이즈 호텔), 《2019 타이포잔치: 6회 국제 타이포그래피 비엔날레》(문화역서울284),《대강포스터제 2019》(일민미술관), 《100필름 100포스터》(2019전주국제영화제) ━ 2019 《오픈 리센트 그래픽 디자인 2018》(공간41, wrm), 《대강포스터제 2018》(부천아트벙커), 《뷀트포메트 그래픽디자인 페스티벌, 뷀코2 포스터 쇼》(오큐파이더시티), 《100필름 100포스터》(2018전주국제영화제), 《tE13: 사진과 타이포그래피》(두성인더페이퍼갤러리) ━ 2018 《프로젝트88》(1988년 제24회 서울올림픽 대회 신 표준편람: 그래픽 아이덴티티 프로젝트) ━ 2017

Exhibition, AD

Tele2 (Russia)

Imagine how it feels in 2030. Does technology set us free, or become a part of us? Are we closer to nature? What it means to be human in 2030. And how it feels.

In the exhibition we try to show how people form various countries, who live different lives in different context reflect on what the future feels like. So that artists and designers from Seoul, Rotterdam, Prague, New York, Moscow and other cities could share their thoughts with a wide audience.
In reality, 2030 is not a distant future. than think about 2030 is a transition to the future.The many technologies that we've created, the circular nature, will be fused to go into theThe concept is to express the moment of effort for a future world that can coexist with nature.

Using free natural curves and shapes, and systematic and smart technology and machine images, talk about various behaviors that take place in Korea. It expresses Korean, English, and many unknown codes.